Correspondence in the form of letters, greeting cards, and postcards, from 1960 to 2016, from numerous correspondents including: Glenda Adams, Luciana Arrighi, Murray Bail, Bruce Beaver, John Bell, Bruce Beresford, Michael Berkeley, John Blight, Michael Brennan, David Brooks, Bille Brown, Felicity Bryan, Carmen Callil, Ian Callinan, Felix Calvino, Nancy Cato, Clem Christesen [writing to Judith Green, later Rodriguez], John Clanchy, Alison Clark, Dymphna Clark, Manning Clark, John Coetzee, Adele Cohen, Matthew Condon, Jim Davidson, Robyn Davidson, Bruce Dawe, Robert Dessaix, Rosemary Dobson, Espie Dods, Eve Duncan, Don Dunstan, Geoffrey Dutton, Nin Dutton, Christopher Edwards, Nick Enright, Michele Field, Helen Garner, Marea Gazzard, Clem Gorman, Lisa Gorton, Kate Grenville, Elizabeth Harrower, Kenneth J Harvey, Dennis Haskell, Ihab Hassan, Shirley Hazzard (Shirley and Francis Steegmuller), Janette Turner Hospital, Brian Howard, Barry Humphries, Ivor Indyk, Elizabeth Jolley, Gail Jones, Nicholas Jose (Nick Jose), Beate Josephi and Andrew Taylor, Nancy Keesing, Thomas Keneally, John Kinsella, Manoly Lascaris, David Leavitt, Gerard Lee, Geoffrey Lehmann, Kathy Lette, Alan Lightman, Stephen McClymont, Mark McKenna, Robert Macklin, Tony Maniaty, David Marr, Mandy Martin, Gillian Mears, Drusilla Modjeska, Frank Moorhouse, Mal Morgan, Les Murray, Philip Neilson, Cees Nooteboom, Mark O’Connor, Carlo Olivieri, Margaret Olley, Michael Ondaatje, Tony Page, Peter Porter, Pixie Pratt [Pixie O’Harris], Judith Rodriguez, David Rowbotham, Ethel Rowbotham, Lilian Roxon, John Ralston Saul, Jaya Savige, Scripsi (Michael Heyward and Peter Craven], Penelope Seidler, Tom Shapcott, Lidija Simkus-Pocius (Lidija Simkute), Ian Sinnamon, Norah Smallwood, Jeffrey Smart, Christina Stead, Lurline Stuart, John Tranter, James Tulip (Jim Tulip), UQP [Frank W Thompson, Roger McDonald, Craig Munro], Christopher Wallace-Crabbe (Chris Wallace-Crabbe), Robin Wallace-Crabbe, Jacki Weaver, Peter Weir, Gough Whitlam, Phyllis Webb, Patrick White, and many others.

Eustace, a short story, was first published in 1982 with the novella Child's Play and short story The Prowler. Further editions were published in 1983 and 1999, and Eustace was included in Malouf’s The Complete Stories published in 2007. There are two typescript drafts in this subseries. The first is an early typescript draft, 10 leaves, extensive handwritten emendations, word count on last page, and undated. The second is a typescript draft, 21 leaves, including the title page, handwritten emendations, word count on last page, and undated.

Short stories, most of which appear in the short story collection Every Move You Make. The short stories that appeared in the publication are: The Valley of Lagoons, Every Move You Make, War Baby, Towards Midnight, Elsewhere, Mrs Porter and the Rock, and The Domestic Cantata. This sub-series contains two files of short story typescript drafts.

Fly Away Peter is a novella, set in Queensland before the First World War, the story of Jim Sadler, a dedicated bird watcher, Ashley Crowther, his employer and Imogen Harcourt, an eccentric English photographer. It was first published in 1981 with Child’s Play under the title The Bread of Time to Come. It was republished in 1982 as Fly Away Peter. This subseries includes “original first hand-written drafts of Fly Away Peter (usually referred to as Birds)” [D.M.]; rewritten first draft in Brisbane; first typescript draft; second typescript draft; rewritten passages in second typescript draft; chapters 8, 10, 15 of first typescript reworked and replaced and afterword to Fly Away Peter.

Fly Away Peter was the winner of the 1982 Age Book of the Year Award.

The central figure of Harland’s Half Acre, Frank Harland, is another study of the artist-figure which continues to intrigue Malouf. Partly structured like Johnno and An Imaginary Life around two opposite individuals, the novel returns to the lush, exotic world of Queensland with a chronological narrative covering several decades. From his youth Harland is obsessed with the need to reclaim his family’s lost inheritance, the pastoral land with the nostalgic name Killarney. The dream turns sour when tragedy intervenes but Harland grows to understand that he has created another unexpected but more real legacy in his art. Harland’s Half Acre was first published in 1984. This subseries consists of two notebooks of 200 pages each with background material, notes and drafts, correspondence, various typescript drafts with handwritten corrections and additions, and a complete typescript of the finished novel.

Comprises two drafts of Invocation to Earth by Diana Blom. Libretto by David Malouf.

'Jane or The Bride of Thornfield' (Jane Eyre), typescript, 18 leaves, a few emendations. [David Malouf’s 2017 note: First draft, 1996/8. Performed Cheltenham Festival. Toured London, Canberra, St Louis, USA.]. With associated letter by Malouf to Michael Berkeley. Accompanied by the published libretto, Jane Eyre, from cover 'A libretto by David Malouf for an opera by Michael Berkeley', 27 pages, published by Vintage in 2000.

Johnno is Malouf’s most outwardly autobiographical novel and has been much praised as a realistic presentation of wartime Brisbane. It traces the childhood and early adult life of the narrator, and his relationship with the school rebel Johnno until Johnno’s untimely death. It was first published in 1975. This series includes two typescripts (both carbon copies) of the original manuscript version of Johnno. The earlier copy has extensive handwritten reworking by Malouf and uses the name “Johnny” throughout. In the later copy is again reworked and the author has manually changed “Johnny” to “Johnno.” There are significant textural alterations, cuts and additions, between these two drafts. Earlier drafts of the manuscript are held in the National Library of Australia collection and the top copy is held in the Fryer Library University of Queensland Press Archive. These typescripts provide a valuable link between the two. Published in 1975 by University of Queensland Press.

Comprises: Jeffrey Smart 1921 – 2013. Recondita armonia – Strange harmonies of contrast. Curated by David Malouf. University of Sydney Art Gallery. 2 Nov 2013 to7 Mar 2014. Exhibition catalogue. 16p. With an introduction by Malouf. Card inserted. David Malouf and Friends. Museum of Brisbane. Exhibition catalogue. 16 May to 23 Nov 2014.
Souvenir programme of the Opening Celebrations of the Queensland Performing Arts Complex, (1985). Booklet in folder. With an Ode by David Malouf [p13-14].
Booklet for The Man Booker International Prize 2011.
Flyer by Chatto & Windus for An Imaginery Life and The Great World.
Poster by Penguin Australian Authors for David Malouf.
Flyers by Penguin Australian Authors for David Malouf.
Flyer by Random House fo David Malouf. Poems on the Underground. 1,000 years of poetry in English. Poster produced by the London Transport Museum, reproducing Malouf’s poem Thaw. [Rolled, loose in box]

This subseries is comprised of:
Folder 1 An imaginary life. Based on the novel by David Malouf. The Australian Elizabethan Theatre Trust. Folded sheet with insert. First performed on 19 Feb 1986. With associated review. Blood relations. The State Theatre Company and the Sydney Theatre Company. 1987. 24p. Voss. The Australian Opera at the Sydney Opera House. 18 Oct 1990. Single-leaf sheet. Contained in a red folder with gilt-embossed title and string. Also contains six cards in envelopes addressed to Malouf.

Folder 2 Mer de Glace. The Australian Opera, 1991. Baa-baa black sheep. An opera in three acts. Music by Michael Berkeley. Cheltenham International Festival of Music 3 Jul 1993. [and] Opera North 15 (Leeds, UK). 13, 16, 17 and 19 Nov 1993.

Folder 3 1914. Inspired by Fly Away Peter. The Australian Ballet. 7-27 Apr 1998. Exotic pleasures. From stories of Peter Carey and David Malouf. Theatre of Image at the Seymour Centre at the University of Sydney. York Theatre. 12 Mar to 3 Apr 1999. A3 broadsheet programme. [Mary Ellen Snodgrass: Peter Carey. A literary companion dates this adaptation to mid-January 1999, and describes it as a ‘dance-cinema-puppet montage’. In January 1999 Theatre of Image offered a workshop based on Exotic Pleasures at Macquarie University. With copies of newspaper reviews. Johnno. Adapted for the stage by Stephen Edwards. Derby Playhouse and La Boite Theatre. 14 Jul – 5 Aug 2006. Powerhouse Theatre.