Men installing electrical poles, Brisbane
- UQFL119-Series F-File 64
- File
- ca. 1920s?
Part of Daphne Mayo Papers
15 negatives ; 20 photographs of men working on electricity poles, clearing land, digging, working on roads, loading trucks.
Men installing electrical poles, Brisbane
Part of Daphne Mayo Papers
15 negatives ; 20 photographs of men working on electricity poles, clearing land, digging, working on roads, loading trucks.
Part of Glenn Cooke Papers
A handwritten draft and a typed final draft of a bibliography of works relating to Joseph Llorens Artigas and Peter Voulkos, and copied reference articles about Voulkos.
Mitchell by James Stevenson, Guy Williams and Leon Zropf
Part of Daphne Mayo Papers
Ink and paint; 17 scrape painting designs; from the Sydney studio. One design on a page from The Sydney Morning Herald dated, Saturday 27 Jul 1940.
Photographs of people, landscapes, street views, animals
Part of Daphne Mayo Papers
133 photographs of people, landscapes, street views and animals. People include: Dr Elsi Harwook, Colonel Andrew Joseph Thynne (1915), Young man holding three koalas (mounted on card), Dame Mary Gilmore, and John Douglas Story (2 of the 3 photographs mounted on card).
Small prints of warrior figures
Part of Daphne Mayo Papers
Prints of warrior figures, most crumbling and fragmented.
Monto by D Pearson, P Ferrier and A McAlucas
Part of Glenn Cooke Papers
Very brief handwritten research notes about artist Brian Williams, summaries and lists of Williams' artistic achievements, a bound copy created by Glenn Cooke of the collection 'Brian Williams: Presscuttings and Letters', copied Queensland National Art Gallery forms providing biographical details about Williams and the provenance of his painting 'Cleaning Fish', copied photographs and newspaper cuttings relating to Williams, and photographs of some of Williams' works.
Images from William McArthur Mayo (Bill) and Eliza Mary (Lila) Mayo's travel in 1929
Part of Daphne Mayo Papers
47 pages, double sided, 2 sides have no photographs. Photographs mounted on loose boards. Pages numbered. No album cover, loose pages. Some with captions. Boards between archival paper.