Approximately 53 letters, 1 telegram, 4 postcards, 3 cards sent to Daphne Mayo between 4 Jan 1970 to 5 Sep 1979. Main correspondents include: Hilliegei and Mary. Others: Kathleen and Leonard Shillam and Mim Shaw.

Correspondence from 15 Feb 1940 to 22 Dec 1949. Correspondents include: Queensland Combined Art Committee; Who's Who in Australia; Industrial Arts Society, Sydney; Society of Artists; Premier's Department (Signed W. Forgan Smith); High Commissioner for Canada (T.C. Davis); Mary Corkery; Teachers' College; doctor and pathology reports; Commonwealth Office of Education; Royal Queensland Art Society (including 'Constitution and Rules').

This file contains correspondence regarding the bronze scuplture by Mayo commemorating former students of King's School who died in service or were killed in action in World War Two. Includes notes; drawings; reproduction prints; eight b&w photographs (5 are bromide photographs) of the College chapel and school; and publications by the King's School (the magazine from 1948, Dedication of a Memorial 1953, a brochure of the School).

43 letters and 2 telegrams from 22 Jan 1930 to 25 Oct 1939. Correspondents include: Jack P. Donoghue, Architect, regarding the Pediment and Station of the Cross for Holy Spirit Chruch New Farm (22 Jan 1930); several letters from C. Bruce Dellit, Architect regarding the Anzac Memorial Building, New South Wales; Trustees of the Anzac Memorial Building (25 Sep 1930); S.A. Parker (9 Jan 1931); Customs and Excise Office (10 Feb 1931); Society of Artists requesting receipt for sale of bust (24 Sep 1931); E. J. Gregory (Manufacturer of Bronze Statuary and all Intricate Castings); letters from Prime Minister's Department and Civic Branch of the Department of the Interior regarding submitting designs for the Memorial to His late Majesty King George V (1936); City of Melbourne regarding King George Memorial (1937); A.B. Burton, Surrey (1938-1939); Society of Artists notifying her they have awarded her their Medal (15 Aug 1938); Rohm & Hass (25 Oct 1939). Some letters are accompanied by a draft response.

Approximately 100 letters (including telegrams) from 29 Apr 1940 to 21 Nov 1949. Correspondents include: A.B. Burton; Public Library of New South Wales regarding the doors; Hennessy, Hennessy & Co.; Brisbane Crematorium; Moir & Sutherland; T.C. Davis (High Commissioner for Canada) regarding his purchase of "Blackie"; Rev. Colin C. Chittleborough of St. Jude's Rectory, Brighton; Queensland National Art Gallery regarding the "Lloyd Rees" Sculpture; David Jones' Art Gallery; Mary Corkery, Artists' Agent; Royal S.A. Society of Arts; John Eldershaw regarding the bust of Professor Duhig; Mary P. Harris; National Gallery of Victoria.

Approximately 80 letters (including telegrams) from 5 Mar 1950 to 26 Oct 1959. Correspondents include: C.G. Pilling (Monumental Sculptor); National Gallery of South Australia regarding making another casting of the bronze head of Lloyd Rees; Youngs Pty Ltd (Customs, Shipping and Forwarding Agents); The Macquarie Galleries; John Galizia (Fine art founders); National Gallery of New South Wales, including letters about the "Dr Christine Rivett Bronze", "Kathleen", and copyright; Australian Physiotherapy Assocation; Moreton Galleries; Jack Mulholland (Consulting engineer); Brisbane City Council regarding damage to the Women's War memorial; Newcastle War Memorial - Cultural Centre Committee; University of Queensland, including letters about the bust of J.D. Story; The Art Bronze Foundry (London): and the Winton Shire Council regarding the inscription of the Waltzing Matilda Monument.

Letters and telegrams (approximately 10) from 8 Apr 1970 to 4 Mar 1976. Correspondents include: D.M. Cameron (Member for Griffith) with copies of letters from the Attorney-General, Canberra, regarding copyright of sculptures in public places; Macquarie Galleries; Fryer Memorial Library of Australian Literature regarding acquiring a donation of a sculputure by Mayo; and Judith McKay.

Typescript and handwritten notes, catalogues, invitations relating to the Godfrey Rivers Trust and its competitions, 1933-1935, 1960, and undated.

Correspondence (11 letters) from 1950 to 1958.

Drafts, fragments of drafts of outgoing correspondence. Mostly handwritten, some on fragments of paper or on the back of envelopes.