Flyers, newspaper cutting and notes relating to Shadow on the Glass by Judith Rodriguez, published in 1978.

Two photographs of Shah Hussain and correspondence between Hussain and Kate Durham, Jenny Riley and Sarah, including one letter in Dari.

Typescript of presentation 'Shepparton Lecture [on Australian ceramics in the Queensland Art Gallery]'.

Correspondence between Shir Mohammad Allahdad and Kate Durham, Julian Burnside and Jenny Riley, including some letters in Dari.

Brief handwritten research notes about artist Shirley Miller, a summary of Miller's artistic achievements, and a short biographical statement about her.

Plays written by Judith Rodriguez. Five plays, typescript, one dated 1987, titled: Awoman's work; [Untitled]; 'Phlyax' (3 drafts); 'The good businessman Schlemiel' ( 2 drafts); 'The Venus of Milo : a Ballet'.

Original folder was titled 'Short stories'. There is one screen play and 28 short stories. Some are edited or annotated; some have multiple drafts; some are written by Kathryn Ruska. Contains the following short stories:
‘The Armada’;
‘Black Jimmy's Crime’;
‘Boonah’;
‘The Boy who shot the kookaburra’ (condensed from Stradbroke Dreamtime) [on heat sensitive paper];
‘The Bunyip’ (4 versions, one by Kathryn Ruska);
‘The Bush Ranger’ (by Ruska);
‘Cookie’;
‘Edward Ruska’ (2 drafts, one missing first page);
‘Fantasy in Sepia’;
‘Flight into Tunis’ (2 drafts);
‘Gooboora and the Bunyip’;
‘Gubbin and Grasshopper’ (5 drafts);
‘Joshua and Roo-Roo’;
‘Judge Not’ (K. Ruska);
‘Koo-Poo’ (3 drafts);
‘Koorie and Boorie’ (2 drafts);
‘Lucy McCullock’;
‘The Magic Hour’ (2 drafts by Kathryn Ruska);
‘The Magic Hour’ (screenplay);
‘No Horses for a Month’ (2 drafts);
‘Poetic Justice’;
‘The Rosary Beads’ (2 drafts);
‘Swans and Che’ (handwritten);
‘The Tail of Pinky Platypus’ (2 drafts by Kathryn Ruska);
‘Tiny and Wee’ (3 drafts; one by Kathryn Ruska) ;
‘The Turtle’;
‘The Unhappy Golliwog’ (3 drafts; one by Kathryn Ruska);
‘We look after our own’ (2 handwritten drafts); and
‘What the Seagulls told me’.

Nine printout drafts of eight stories, all but one published in Every move you make. Includes title page. There are handwritten emendations, white-out corrections, cut and paste typescript inserts (attached with sticky tape) and typescript inserts.

1. The Valley of Lagoons, 57 leaves.
2. Every move you make, 27 leaves.
3. War Baby, [43] leaves, 41 hand numbered leaves.
4. Towards Midnight, 13 leaves.
5. Elsewhere, title handwritten in pencil on first page, 16 leaves.
6. Mrs Porter and the Rock, 41 leaves.
7. Mrs Porter and the Rock, 39 leaves.
8. The Domestic Cantata, 'Revised Version, 2' written on pencil of first page, 31 leaves.
9. 'Honey', 18 leaves, unpublished.

A group of eight early draft typescripts of stories (two copies of one title), some still untitled, with handwritten emendations, white-out corrections, cut and paste typescript inserts (attached with sticky tape). All but one published in Every move you make.

1. Untitled (The Valley of Lagoons, [38 leaves], 36 hand numbered leaves.
2. Untitled (Every Move You Make), 16 leaves.
3. Untitled (War Baby), [28 leaves], 26 hand numbered leaves.
4. Towards Midnight, 9 leaves.
5. Untitled (Elsewhere), 11 unnumbered leaves.
6. Mrs Porter and the Rock, 24 leaves, 2 versions, including first draft on green paper.
7. The Domestic Cantata, 9 unnumbered leaves.
8. 'Closer' - unpublished, 8 unnumbered leaves.