Box 16
Folder 1
Ludwig Dölger, reference for Roman Pavlyshyn, 1948.
Libby Winter, Biographical note on Karl Langer. RP worked for Langer in 1950-51.
Employment documentation,
a. 1951-1958: Commonwealth Department of Works; caricature by “Mitch” with help from “Ben” showing RP leaving the frying pan for the fire.
b. 1958-1964: Employment documentation, Queensland Department of Works. Unsolicited testimonial by David Longland
c. 1964-1966: Beck and Pavlyshyn, various materials.
d. 1966-1985: RP, employment documentation, Queensland Department of Works.

Folder 2
1959-1982: RP, miscellaneous documents, Queensland Department of Works.
1969-1982: RP, superannuation while at Queensland Department of Works. Miscellaneous.
Notes for speeches at work-related functions.
Official invitations to RP, miscellaneous, not sorted by date.

Folder 3
Correspondence. Semi-official but work-related.
Royal Australian Institute of Architects. Miscellaneous
National Public Works Conference, Photo (1983); NPWC, Measurement of performance of Public Construction Agencies.
Retirement from the Department of Works (1985) and as chairman of the Board of Architects of Queensland. RSVPs, speeches, copies of extracts from album of government building projects under RP’s tenure of responsible Departmental posts, various materials, photo.

Folder 4
Portrait and other photographs of Roman Pavlyshyn relating to his work at the Queensland Department of Works
CVs and biographical notes (English and Ukrainian)
Published biographies of Roman Pavlyshyn and related correspondence (English and Ukrainian)
Professional testimonials for Roman Pavlyshyn
Roman Pavlyshyn’s retirement from the Queensland Department of Works. Various materials.

Box 17
Folder 4
Documents relating to Pavlyshyn's education, immigration and employment
Newspaper cuttings
CD with List of Drawings, compiled in 2010

Photographs

On Target. Oil painting by Queensland artist Irene Amos, presented to Pavlyshyn by his work colleagues on retirement.

Lists of exhibitions held at private galleries in Queensland.

Handwritten personal diaries of Glenn Cooke covering the period 1980 to 2006.

File 1: First workshop, UQ, 1 Sep 1982
File 2: Material from Barbara Van Den Broek, incl Melbourne Association of Women in Architecture
File 3: Women in Architecture meeting minutes, 1983-1988 [includes some newsletters]
File 4: Women in Architecture distributed material, constitution
File 5: Replies to Women in Architecture questionnaire
File 6: Women in Architecture [Womens Winter School 1984]
File 7: RAIA Convention 1984, Renathi Kamath
File 8: Women in Architecture Exhibition, 13 Jun 1984
File 9: [Women in Architecture Exhibition and RAIA Convention photographs]
File 10: Press clippings
File 11: Correspondence
File 12: Material newsletter
File 13: Material for future newsletters
File 14: Typing file
File 15: Press/media info
File 16: Material Sydney Constructive Women
File 17: Periodical references
File 18: Periodical references

Recordings of interviews given to promote the Association and its activities.

Layouts assembled for Profile: Women in Architecture exhibition, and the production of the second issue of the Association's newsletter Quarterly.

The majority of this series comprises drawings and essays produced by Douglas McKay for assessment purposes during his architecture degree at The University of Queensland. While some of McKay's student drawings are conventional architectural plans, others are mixed media works which feature photographs and/or newspaper cuttings. The series also contains drawings created by McKay for commercial firms while he was a student, and drawings created for a competition.

Contains corrected manuscript and typescript drafts of Bicycle and Other Poems, Johnno, An Imaginary Life, Child's Play, Eustace, The Prowler, Fly Away Peter, Harland's Half Acre, Antipodes : Stories, 12 Edmonstone Street, The Great World, Remembering Babylon, The Conversations at Curlow Creek, Every Move You Make, and Ransom. Most of the typescript drafts have handwritten emendations, white-out corrections, and cut and past inserts (attached with sticky tape). These drafts give a good insight into how Malouf wrote and amended his works.