Draft typescript, 209 numbered leaves, 8 leaves inserted, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape).

Correspondence to David Malouf regarding the opera Voss:

1. Peter Hemmings to Malouf, 1p, 20 Mar 1979
2. Peter Hemmings to Malouf, 1p, 23 May 1979
3. Tim Curnow (Curtis Brown) to Malouf, 1p, 14 Jun 1979, includes two letters from Peter Hemming to Curnow
4. Antony Jeffrey to Malouf, 2p, 17 Aug 1979
5. Peter Hemmings to Malouf, 1p, 6 Sep 1979
6. Antony Jeffrey to Malouf, 1p, 18 Sep 1979
7. Jim Sherman to Malouf, postcard, 8 Oct 1979
8. Antony Jeffrey to Malouf, 1p, 13 Oct 1979
9. Richard Meale to Malouf, 2p, 13 Oct 1979
10. Richard Meale to Malouf, 2p, 16 Jun 1980
11. Antony Jeffrey to Malouf, 2p, 8 Jul 1980
12. Richard Meale to Malouf, 3p, 14 Mar 1981
13. Richard Meale to Malouf, 2p, 11 Aug 1981
14. Copy of letter from Moffatt Oxenbould, Artistic Administrator, Australian Opera to Tim Curnow regarding the contract for Voss, 1p, 2 Jun 1983
15. Richard Meale to Malouf, 1p, 4 Jul 1983
16. Stuart Challender to Malouf, 1p, 22 Apr 1986
17. Jim Sharman to Malouf, 4p, 29 Apr 1986

The file is comprised of: Early notes for dialogue, 2 leaves ; Letter to Richard Meale from Malouf, 1 leaf, 20 Jun 1979, with early dialogue notes on verso; Marked up copy of the Penguin Modern Classics 1960 published edition of Voss by Patrick White, sections of text marked in black pen, handwritten notes on last page and inside back cover.

Rehearsal notes for Voss, by Christopher Williams. Copy for David Malouf. [Note: Company notes on first performance of Voss, Adelaide, 1986, March]

Correspondence, incoming, from 1996:
1996 – 42 letters: Dymphna Clark (1); Geoffrey Dutton (1); Nin Dutton (1); Nick Enright (1); Elizabeth Jolley (1); Kate Grenville (1); David Marr (1); David Rowbotham (1); Others (34).

Correspondence, incoming, from 1997:
1997 – 31 letters: Dymphna Clark (1); Margaret Olley (31 Jan - enclosing a photograph of Malouf and Philip Bacon); Others (29)

Correspondence, incoming, from 2008-2009, undated:
2008 – 12 letters: Gail Jones (2); Others (10).

2009 – 14 letters: Ihab Hassan (2); Gail Jones (1); John Ralston Saul (1); Others (10).

2000s undated – 19 letters: Eve Duncan (1); Gail Jones (1); David Rowbotham (1); Jaya Savige (2, one is a fragment only); Others (14).

Correspondence, incoming, from 2013-2016:
2013 – 14 letters: Bruce Beresford (1); Eve Duncan (1); Ihab Hassan (4); Gail Jones (4); Others (4).

2014 – 8 letters: Eve Duncan (2); Ihab Hassan (1); Gail Jones (1); Others (4).

2015 – 9 letters: Eve Duncan (2, incl. one unsent letter from Malouf to Duncan); Ian Sinnamon (1); Others (6).

2016 – 4 letters: Eve Duncan (2); Others (2).

The Kyogle Line is part of 12 Edmonstone Street, a collection of autobiographical essays published by Chatto and Windus in 1985. Three typescript leaves, with handwritten emendations in blue and red ink, unnumbered pages, undated. Seven photocopied leaves of the typescript draft with handwritten emendations: the first leaf is titled 'Inset' (which is to be inserted on page 5 of the next six leaves); there are six leaves, with the title' The Kyogle Line', numbered in the top right-hand corner, undated.

Typescript, 241 leaves, on white paper, handwritten emendations in blue and black pen and pencil, and cut and paste inserts (attached with sticky tape). Cover note by Malouf 'Final copy before proof'. Accompanied by 4 leaves with handwritten note 'Rejected passage, from The Great World'. Photocopy, 1 leaf, of inside cover and title page of the published work.