Second typescript draft (photocopied) of Until the end of the world, presented by Anatole Dauman, after an original story by Wim Wenders and Solveig Dommartin, with emendations (by Wim), copyright Argos Films and Road Movies, 28 Dec 1988.

Faxes (thermal paper and photocopied), dated August 1988. Printout of Peter Carey's first (incomplete) draft on continuous computer paper, September 1988. This material was in an envelope (now discarded) which had handwritten on front: 'Until the end of the world - note all dates on computer printouts are American style Month/Day/Year'.

First draft of Until the end of the world, story by Wim Wenders and Solveig Dommartin and screenplay by Peter Carey, revised draft, 18 Oct 1988.

Second typescript draft of Until the end of the world, story by Wim Wenders and Solveig Dommartin and screenplay by Peter Carey, with emendations, copyright Argos Films and Road Movies, 30 Nov 1988.

Printout of Peter Carey's first draft on continuous computer paper, 4 Oct 1988. This material was in an envelope (now discarded).

216 index cards and 17 index card guides for the screenplay Until the end of the world. First card says 'Cards Wim & I did when we began work together - mostly his handwriting'.

Photocopy of the cover details for the publication by University of Queensland press for Bliss : the Screenplay by Peter Carey and Ray Lawrence, 25 Jul 1986.

Comprises notes and typescript drafts, with emendations, for 'Illusion (A comic strip musical)', which was changed to 'Illusion (A treatment for a performance)'. Mike Mullins conceived of the concept in early 1980, and he and Carey worked on the script. Eventually Carey withdrew his name as author and retained only credit for co-writing the lyrics. Illusion, was performed as a rock musical at the Adelaide Festival of Arts in 1986. One draft has the (crossed out) title 'Getchor Illusion' for the Playwrights Conference in Canberra dated 2 May 1984.

Initially entitled 'Holding up the Sky', 'Spanish pink' is a screenplay written by Peter Carey and Ray Lawrence. There are notes, photocopies of the story outline on index cards, a script assessment, notes for camera sequences, and draft typescripts.

Bliss screenplay by Ray Lawrence and Peter Carey, 124 leaves, VeloBinding