The central figure of Harland’s Half Acre, Frank Harland, is another study of the artist-figure which continues to intrigue Malouf. Partly structured like Johnno and An Imaginary Life around two opposite individuals, the novel returns to the lush, exotic world of Queensland with a chronological narrative covering several decades. From his youth Harland is obsessed with the need to reclaim his family’s lost inheritance, the pastoral land with the nostalgic name Killarney. The dream turns sour when tragedy intervenes but Harland grows to understand that he has created another unexpected but more real legacy in his art. Harland’s Half Acre was first published in 1984. This subseries consists of two notebooks of 200 pages each with background material, notes and drafts, correspondence, various typescript drafts with handwritten corrections and additions, and a complete typescript of the finished novel.

Antipodes is a collection of short stories published by Malouf in 1985. This subseries consists of corrected typescripts of twelve of the thirteen stories in the collection. Some stories have more than one draft.

The collection of autobiographical essays, 12 Edmonstone Street, A Place in Tuscany, A Foot in the Stream, and The Kyogle Line were published as 12 Edmonstone Street, by Chatto and Windus in 1985. This subseries consists of a note by David Malouf originally intended to introduce the book, drafts of 12 Edmondstone Street with editorial material, and drafts of A Place in Tuscany, A Foot in the Stream, and The Kyogle Line. Handwritten and typescript drafts, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape, now degrading).

Comprises two drafts of Invocation to Earth by Diana Blom. Libretto by David Malouf.

Voss is an opera in two acts based on the novel by Patrick White. The score is by Richard Meale and the libretto by David Malouf. This subseries includes a handwritten outline of Voss, a typescript of the libretto with many handwritten corrections, and a photocopy of the music score, inscribed by Richard Meale to David Malouf.

'A Winter’s Tale (The Round of Time). After William Shakespeare'. Three versions of draft for libretto, [ca. 30 leaves each], [David Malouf’s 2017 note: Commissioned by the English National Opera, 1988/9. Michael Berkeley set part of the text (Paulina) in a song-cycle. The commission fell through.] With two associated pieces of correspondence by Malouf and Berkeley

In The Great World Malouf enters familiar Australian territory with a story of war experience and mateship. The narrative contrasts the personalities of two men and their experiences in the Second World War, Digger Keen, the archetypal, taciturn Australian, gifted with a photographic memory, and Vic Curran, whose ambition and drive take him from poverty to the top of the business world. The Great World was first published in 1990 and won the Miles Franklin Award in 1991, the Adelaide Festival Award and two international awards, the 1991 Commonwealth Prize for fiction and the Prix Femina Etranger in France for the best foreign novel. This subseries consists of a draft early version of the novel, originally titled ‘The Memorialists’, the first handwritten draft of the novel, and a typescript draft in five parts with many handwritten corrections and additions.

Correspondence from Patrick White – 7 letters
Comprises:
[File 1]: 1976 to 1990

Correspondence from Manning Clark – 13 letters.
Comprises:
[File 1]: 1974 to 1991. Includes: 17 Jan 1990 – enclosing a typescript with manuscript emendations; 21 May 1991 – two days before his death – writing ‘David, I will miss you. […]. Manning’.

Correspondence from Chatto & Windus / Carmen Callil – 60 letters (1978 to 1991)
[File 1]: 1978 to 1991.
Letters from editors at Chatto & Windus.
1978 to 1982: Norah Smallwood and D J Enright (6)
1982 to 1991: Carmen Callil.
A few letters by others at Chatto & Windus, including Andrew Motion