Two copies of a black and white photograph of Peter Carey in front of the index cards for Bliss [screenplay] with an envelope with Window Productions written on front.

Two black and white photographs accompanied by a with compliments slip from the publicity department of Faber & Faber. Also includes the 3 sheets of 118 contact prints. One of the photographs from the contact prints was used for publicity material for War crimes [short story collection].

Records relating to the committees for The Performance Space, the syndicate to purchase Nimrod Theatre Buildings.

Two memorandum of agreement between Peter Carey and Deborah Rogers for: 1. work provisionally entitled 'Waiting for the barbarians' (undated); and 2. the German publication of the novel Bliss.

Correspondence, newspaper cuttings and material related to properties associated with or important to Peter Carey such as Yandina, Browns Creek and Lovett Bay.

Publicity photographs of Peter Carey: 4 black and white photographs of varying sizes ; 2 contact sheets of Carey in London, 39 photographs on each sheet, 5 Apr 1988; and 1 colour photograph from Writers Week in Adelaide, 1988.

Letter from Paul [?], 3 leaves, 8/11/95, accompanied by autograph book that belonged to Peter Carey.

Six colour photographs, 9 x 12.5 cm, of Peter Carey at Square Books (160 Courthouse Square, Mississippi), for the launch of The Unusual life of Tristan Smith (published in the United States in 1995 in hardcover by Knopf); and photographs of him at Memphis. Two sets of 6 contact sheets of black and white photographs of Peter Carey, 59 photographs in one set and 72 in the other set, taken by Mariana Cook, 1994.

Two exercise books with the name 'Archie' on the cover; a story entitled 'The first installment : new blood (second version)'.

Correspondence requesting Peter Carey consider working on the film production of The forest which was conceived by Robert Wilson and David Byrne with a spiral bound copy of the treatment for film. Originally in envelope (now discarded) with handwritten note on front: 'A treatment for a film based on the epic Gilgamesh titled 'The Forest' by David Byrne. Part of the same process (with Robert Wilson) that resulted in the production of The Forest at the Brooklyn Academy of Music, NY in 1988.' Also contains preservation copies of faxes on heat sensitive paper.