Incoming correspondence to Judith Rodriguez [List provided by Judith Rodriguez outlining contents].

Correspondence in the form of letters, greeting cards, and postcards, from 1960 to 2016, from numerous correspondents including: Glenda Adams, Luciana Arrighi, Murray Bail, Bruce Beaver, John Bell, Bruce Beresford, Michael Berkeley, John Blight, Michael Brennan, David Brooks, Bille Brown, Felicity Bryan, Carmen Callil, Ian Callinan, Felix Calvino, Nancy Cato, Clem Christesen [writing to Judith Green, later Rodriguez], John Clanchy, Alison Clark, Dymphna Clark, Manning Clark, John Coetzee, Adele Cohen, Matthew Condon, Jim Davidson, Robyn Davidson, Bruce Dawe, Robert Dessaix, Rosemary Dobson, Espie Dods, Eve Duncan, Don Dunstan, Geoffrey Dutton, Nin Dutton, Christopher Edwards, Nick Enright, Michele Field, Helen Garner, Marea Gazzard, Clem Gorman, Lisa Gorton, Kate Grenville, Elizabeth Harrower, Kenneth J Harvey, Dennis Haskell, Ihab Hassan, Shirley Hazzard (Shirley and Francis Steegmuller), Janette Turner Hospital, Brian Howard, Barry Humphries, Ivor Indyk, Elizabeth Jolley, Gail Jones, Nicholas Jose (Nick Jose), Beate Josephi and Andrew Taylor, Nancy Keesing, Thomas Keneally, John Kinsella, Manoly Lascaris, David Leavitt, Gerard Lee, Geoffrey Lehmann, Kathy Lette, Alan Lightman, Stephen McClymont, Mark McKenna, Robert Macklin, Tony Maniaty, David Marr, Mandy Martin, Gillian Mears, Drusilla Modjeska, Frank Moorhouse, Mal Morgan, Les Murray, Philip Neilson, Cees Nooteboom, Mark O’Connor, Carlo Olivieri, Margaret Olley, Michael Ondaatje, Tony Page, Peter Porter, Pixie Pratt [Pixie O’Harris], Judith Rodriguez, David Rowbotham, Ethel Rowbotham, Lilian Roxon, John Ralston Saul, Jaya Savige, Scripsi (Michael Heyward and Peter Craven], Penelope Seidler, Tom Shapcott, Lidija Simkus-Pocius (Lidija Simkute), Ian Sinnamon, Norah Smallwood, Jeffrey Smart, Christina Stead, Lurline Stuart, John Tranter, James Tulip (Jim Tulip), UQP [Frank W Thompson, Roger McDonald, Craig Munro], Christopher Wallace-Crabbe (Chris Wallace-Crabbe), Robin Wallace-Crabbe, Jacki Weaver, Peter Weir, Gough Whitlam, Phyllis Webb, Patrick White, and many others.

Documents relating to legal cases involving allegations that Pauline Hanson's One Nation was fraudulently registered and that, as a result, the party fraudulently received public funding. The documents include copies of page 1 of an affidavit by Paul Trewartha and copies of submissions by Desmond J O'Shea in response to appeal applications in the Supreme Court of Queensland by David Ettridge and Terry Patrick Sharples.

Handwritten story outline on yellow index cards, 20 yellow index cards, 7.5 x 13 cm, undated. With typed note 'Cards used as basis of discussion with Julian Castagne at Birchgrove', 6 Jun 1982. Cards and page in envelope addressed to Peter Carey at McSpedden Carey Pty Ltd.

Typescript notes, with emendations, for an idea for a film titled 'Daddy's girl'.

Initially called 'Life and death in the south side pavilion', 'Dancing on the water' is an unpublished screenplay written by Peter Carey and Ray Lawrence. It is based on the short story Life and death in the south side pavilion by Peter Carey first published in short story collection, The fat man in history (1974). Comprises 8 typescript drafts.

The University of Queensland Faculty of Dentistry was formed in 1935 and was located at various locations throughout the city including Turbot Street. In the early 1960s there was a desire to have the Dental School transferred from its location in Turbot Street to the St. Lucia campus with Birrell writing a report in favour of this is in 1964. However the Australian Universities Commission did not support this idea. Rather they offered money to extend the Turbot Street facilities and to use space within the Physiology Building to house preclinical training. The new dental school at St. Lucia campus was not built.

Notebook used by Bruce Whiteside as a diary, with intermittent handwritten entries from 9 July 1988 to 5 July 1990

8 glass plate negatives.

Typescript draft with emendations, photocopied, 13 leaves (one blank), A3 sized paper. Included is issue number 15 (1975) of Tabloid Story where the short story was published. The emendations on the photocopy match the final published version.