Handwritten drafts of The Great World, 140 pages on white four-ring notepaper and 31 pages on green notepaper, handwritten in blue ink and black biro, with many corrections and additions. Some pages have page numbers in top right-hand corner.

Explanatory note from David Malouf regarding the origins of the novel, 1leaf.
Drafts of an early version of The Great World, The Great World is a later version of a book originally titled ‘The Memorialists’. This typescript and handwritten draft comprises the material from this original version which was incorporated into The Great World. Approximately 323 leaves, extensive handwritten emendations, cut and paste inserts (attached with sticky tape), most pages have handwritten numbers in top right-hand corner, page numbers are out of sequence, undated.

Photocopy of typescript (with handwritten emendations), some corrections of the photocopy in red pen, last page is original typscript, 42 leaves, undated, most pages numbered at top right-hand corner with some errors.

The Kyogle Line is part of 12 Edmonstone Street, a collection of autobiographical essays published by Chatto and Windus in 1985. Three typescript leaves, with handwritten emendations in blue and red ink, unnumbered pages, undated. Seven photocopied leaves of the typescript draft with handwritten emendations: the first leaf is titled 'Inset' (which is to be inserted on page 5 of the next six leaves); there are six leaves, with the title' The Kyogle Line', numbered in the top right-hand corner, undated.

Editorial material re: 12 Edmondstone Street
• Letter from Jeremy Lewis, Chatto & Windus to David Malouf, 20 Mar 1985, 1 page
• Editorial queries, 4 pages, typescript
• Revisions, 8 pages, typescript
• Insertions, 13 pages, photocopy of typescript

Handwritten note by Malouf on contents of this subseries. Typescript note, originally intended as preface to 12 Edmonstone Street (1 leaf, typescript, handwritten emendations). Handwritten and typescript drafts, some incomplete, of 12 Edmonstone Street, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape, now degrading).

Correspondence received by Alan Wearne between 200 and 2003 relating to copyright permission requests for extracts from volumes 1 and of 'The Lovemakers'

Correspondence received by Alan Wearne between 1998 and 2005. Correspondents include Steve Anker, Laurie Duggan, Gig Ryan and many others.

Correspondence received by Alan Wearne between 1997 and 1999. Correspondents include Steve Anker, Ken Bolton, Martin Duwell, Helen Garner, Wearne family members and others

Correspondence received by Alan Wearne in the 1990s