Poetry. Volume 21 of the series Landscape of Memories written by Thiedeke in 2013.

This file has 26 drawings:

Twelve working drawings (71 x 100 cm.), ink line drawings on tracing paper. From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Brendan Edwards. Brief: Design and documentation of a three storey, beachfront complex of two x three bed apartments plus roof garden and basement. This was to be on the last undeveloped beach house site on Main Beach Parade. It was not built. Project number 814.83. Working drawings numbered: WD.01 to WD.08; WD.13 to WD.14; and WD27 to WD.28. Dated 10 Mar 1989 to 28 Aug 1989.

Fourteen drawings (sizes vary), pencil and coloured ink line drawings on tracing paper. No Title Block. Client: Brendan Edwards. Job: Duplex, 3567 Main Beach Parade. No project number. Undated.

One ink line drawing on tracing paper. No Title Block. Client: Uniting Church. Brief: Minimalist concept. Unbuilt.

This volume covers a range of cities, places and architecture from a variety of viewpoints, some factual and some fictional. Volume 27 of the series Landscape of Memories written by Thiedeke in 2013.

Three ink line drawings on tracing paper. No Title Block, undated. Brief: Master plan for destination resort plus hotel, units, Tavern design. The tavern was to replace a demolished historic building and reinstate the original architectural form.

This file contains supplementary documents for the Tanglewood project. Originally housed in a four punch ring binder with "Book 3 : Tanglewood architectural drawings : supplementary documents" on cover. Includes promotional literature, architectural plans, site drawings, photographs of model buildings, and documentation related to the project.

Client: Private developer. Brief: Design documentation and construction of -- Golf course and clubhouse, village centre, hotel, tennis club, children's resort, equine centre, detached unit clusters and a wedding chapel. The site was 60 ha. of rolling hills, forest and flood plain. For economic reasons the project stalled and the site was sold. Comprises one roll of 38 drawings from 1989 and another roll of 21 drawings from 1990.

This series contains supplementary documents to the jobs Graeme Thiedeke worked on. It follows the arrangement of the six large binders that originally housed the material and were numbered Book 1 to Book 6: Overseas projects; Australian projects (residential); Tanglewood; Australian projects; Single residences (Mexico and Australia) and Churches; Master planning and Public relations. It includes drawings, articles, presentation sets, architectural plans, photographs of architectural plans and photographs.

Five architectural drawings (ink line drawings on tracing paper), varying sizes. No Title Block. One drawing of the railway line from Murwillumba to Condong, (ink line drawing on pieces of paper, approx 42 x 29 cm, sticky taped together totalling 42 x 4600 cm). Client: Private consortium. Brief: Concept for a tourist destination sugar mill experience, with an emphasis on the history of steam power and an economic boost to the area; as well as education on the principles and creation of a sustainable future in a fluctuating sugar market. The mill site was to be expanded to include a small village with a focus on tourism, retail, working steam museum, river tours and refurbishment of the abandoned short rail line to Murwillumbah.

Comprises: Thirteen pencil line drawings on tracing paper, 26 x 36 cm and smaller, undated. Eight pencil/ink line drawings on tracing paper, 59 x 84 cm, 1985-1986, from the Title Block the architect and planners are the Heather Thiedeke Group, and the client is the Catholic Parish, Surfers Paradise. Seventeen ink line drawings on tracing paper, from the Title Block the architect and planners are the Heather Thiedeke Group, client is the Catholic Parish, Surfers Paradise.

Brief: Design and Documentation. The original St. Vincents church in Surfers Paradise was demolished when the main Parish church moved to Broadbeach Waters and became The Sacred Heart Church. A new St. Vincents church retained the inner city presence. It was built to a tight budget and severe site restrictions (ambient noise management). The structure used tilt panel walls (then a new technology). This plan also featured a radial layout with a sloping floor for optimum visibility.

Includes: Project no. 63.06, working drawings, sequentially numbered WD.01 to WD.013 and WD.18, for landscaping, floor plan, roof plan, details, sections, elevations, internal elevation, window schedule and furniture details.