Notes and loose pages for 'Wog'
- UQFL164-Series A-Subseries 6-File 3
- File
- 1969?
Part of Peter Carey Papers
Loose pages from the novel and notes, typescript with emendations, handwritten notes, undated.
Notes and loose pages for 'Wog'
Part of Peter Carey Papers
Loose pages from the novel and notes, typescript with emendations, handwritten notes, undated.
Part of Peter Carey Papers
Two complete drafts for the unpublished novel 'Wog', typescript, with emendations, 123 leaves, and 'London January 1969' on the last page of each draft.
Part of Peter Carey Papers
Two incomplete drafts on the unpublished novel 'Wog', typescript, with emendations, undated.
Draft and two incomplete drafts of I know you can talk
Part of Peter Carey Papers
Typescript draft and two incomplete carbon typescript drafts (one with a few corrections) of the short story I know you can talk. The date September 1971 appears on one of the carbon typescript drafts.
Part of Peter Carey Papers
Nine typescripts, with handwritten notes, of transcripts for people from Thursday Island. Includes a list of names with the heading 'Faces & Voices from Thursday Island' (eight of the names have transcripts) and an envelope addressed to Carey with the date stamp of 18 May 1971.
Photocopies of published short stories
Part of Peter Carey Papers
Photocopies of six published short stories. Stories are: Around the rugged rocks the ragged rascal ran (1973); Crabs (1972); The mad puzzle king (1973); Joe (1973); Life and death in the south side pavilion (1974); and Report on the shadow industry (1974).
Photographs sent to Peter Carey by Rosie
Part of Peter Carey Papers
Photographs and negatives in a Kodak envelope with a note from 'Rosie' [the photographer] on the inside of the Kodak envelope that mentions Leigh [Weetman?].
Photographs of Peter Carey from Faber & Faber
Part of Peter Carey Papers
Two black and white photographs accompanied by a with compliments slip from the publicity department of Faber & Faber. Also includes the 3 sheets of 118 contact prints. One of the photographs from the contact prints was used for publicity material for War crimes [short story collection].
Reviews for The fat man in history
Part of Peter Carey Papers
This file comprises cuttings from and photocopies of newspapers and magazines reviewing Peter Carey's short story collection The fat man in history.
Part of Peter Carey Papers
'Gleniffer via Bellingen' by Peter Carey describes the house he and Margot Hutchenson built in The Promised Land, about eight kilometres out of Bellingen. The house was designed by Richard Leplastier. There are two typescript drafts of the article, with emendations, which Carey appears to have written when selling the house. Both drafts are on yellow paper, 4 leaves, undated.