Annual report by Kath Walker dated 11 March 1968. Includes the financial statement for 1967; the annual report of the social committee by Mrs S. Chetter; and the joint annual report of the publicity committee written by E. Gibson and D. Marchisotti.

The cover letter which accompanies the two page leaflet is signed by L. G. McBride, who was part of the Committee for the Release of Richard Martin and president of the Queensland Council for the Advancement of Aborigines & Torres Islanders. It is dated 4 September 1973. The leaflet gives an account of the life of Richard Martin. There are two copies of the leaflet. One copy says: "published by Amnesty International, Queensland Section and the Queensland Council for the Advancement of Aborigines and Torres Strait Islanders." The second copy of the leaflet says "Authorized by E. Bertossi", August 1973.

Extracts from report written by J. Fitzgerald (State Secretary of the Australian Seamen's Union) detailing his five-week tour of existing and potential ports in the Gulf of Carpentaria, assessing how development in the area would affect the Aboriginal people residing in Missions in the area. Not dated.

Informational flyer providing information about upcoming 1967 referendum. Date estimated to be 1967. Authorised by Kath Walker

Press statement regarding the Gurindji Tribe's ownership and custodianship of Seal Gorge, as detailed at the National Conference on Aboriginal Advancement in 1968. Letterhead provides the names of President as H. Gurnett, and Honorable Secretary as L G McBride. Dated 15th September 1970.

Album of 120 black and white photographs aranged chronologically.
Photographs show the Duke of Gloucester conducting official duties during his visit to Queensland in 1934. Places featured include: Wallangarra, Stanthorpe, Warwick, Clifton, Toowoomba, Gatton (including Agricultural College), Laidley, Rosewood, Ipswich, central Brisbane, Cleveland, Wynnum, R.N.A. Exhibition Grounds, University of Queensland, Bowen Park (Brisbane), Rosemount Repatriation Hospital, Archerfield Aerodrome, Dalgety's Wharf, and H.M.A.S. Australia on the Brisbane River. Photographs of Archerfield Aerodrome show the Duke dispatching the first airmail of the Australia-Great Britain Service.
Photographs are (10 x 14.5 cm and larger) mounted on boards with handwritten captions. Album bound in red leather. Cover title.

Form letter to prospective candidates in an upcoming Federal election. Asks a series of questions regarding citizenship for Aboriginal Australians. Undated, likely 1958.

This collection consists of correspondence, poetry, wooden printing blocks, research notes, manuscripts and photographs created or collected by Ray Sumner, relating to her connection with Noel Macainsh and, separately, her research on Amalie Dietrich and Australian natural history.

Personal photographic prints, slides, negatives and postcards created or collected by Ray Sumner relating to her research on Amalie Dietrich and natural history. The images include reproductions of photographs, architectural plans, and perspectives of Landhaus J.C. Godeffroy and Museum Godeffroy; views of Siebenlehn, Hamburg, Dresden, Freiburg, Sächsische Schweiz (Saxon Switzerland), and other locations in Germany; members of the Godeffroy and Dietrich families; other individuals associated with Amalie Dietrich; Amalie Deitrich memorials, monuments and gravesite; specimens collected by Dietrich, primarily housed in the Herbarium Hamburgense at the time of capture and originally held in the Museum Godeffroy; museum labels, displays, and interiors in Germany; human remains, weapons, tools, and other artefacts, possibly of Aboriginal Australian origin; and views of Rockhampton, Canoona, Gracemere, Lake Elphinstone and other locations around Queensland.

Item 91 and Item 92 are copies of posed studio portraits of unidentified Aboriginal Australians, believed to be from Moreton Bay, Brisbane, taken by Amalie Dietrich in the 1860s.

Includes 84 black-and-white prints, 23 x 17 cm and smaller; 6 postcards, colour and black-and-white; 1 card; 2 mounted 35mm slides; 77 black-and-white negatives, 13 x 10 cm and smaller; 4 colour negatives, 13 x 10 cm; 65 black-and-white 35mm strip negatives; 8 black-and-white contact print proof sheets, 31 x 21 cm and smaller; 11 black-and-white strip contact print proofs. Many of the prints are from the negatives and the proofs.